Bang Bang Movie | Icon Movies

Information On The Film Bang Bang

All about the movie Bang Bang. Get information on the motion picture Bang Bang including; genre, directors, producers, stars, supporting actors, ratings, studios and more at IconMovies.net.

Bang Bang

Bang Bang Film Information
What's The Movie Bang Bang About? This endearingly crazy 1971 Brazilian film defies classification: its Portuguese title (Bangue bangue) refers to films we'd probably call "shoot-'em-ups," director Andrea Tonacci called it a "Maoist detective comedy," yet American audiences would probably consider it an experimental film. The anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--but they're stripped of any story that might explain them and infused with a unique anarchic energy, eventually suggesting our true animal nature. As with Godard, it's partly an homage to genre filmmaking (there's singing and dancing, a little sex, and lots of violence), but what really powers the film is Tonacci's inventive camera. What's The Genre Of The Bang Bang Movie? Genres: Comedy, Fantasy Who Stars In The Bang Bang Movie? Starring: Ezequias Marques, Thales Penna, Milton Gontijo When Was The Motion Picture Bang Bang Released? Released: January 1, 1971 What's The Runtime Of The Bang Bang Movie? Runtime: 80.0 How Popular Is The Bang Bang Movie? Popularity Rating: 0.001 What Studio(s) Produced The Bang Bang Film? Total Filmes Brazil Who Was On The Cast Of The Motion Picture Bang Bang? Ezequias Marques Thales Penna Milton Gontijo Jura Otero Abrahao Farc Luis Otavio Madureira Horta Antonio Naddeo Paulo Cesar Pereio Jose Aurelio Vieira Who Was On The Crew Of Bang Bang The Movie? Crew — Cinematography: Thiago Veloso Directing — Director: Andrea Tonacci Writing — Writer: Andrea Tonacci

Bang Bang Film Information

What's The Movie Bang Bang About?

This endearingly crazy 1971 Brazilian film defies classification: its Portuguese title (Bangue bangue) refers to films we'd probably call "shoot-'em-ups," director Andrea Tonacci called it a "Maoist detective comedy," yet American audiences would probably consider it an experimental film. The anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--but they're stripped of any story that might explain them and infused with a unique anarchic energy, eventually suggesting our true animal nature. As with Godard, it's partly an homage to genre filmmaking (there's singing and dancing, a little sex, and lots of violence), but what really powers the film is Tonacci's inventive camera.