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Based on a character created by Robert E. Howard, this fast-paced, occasionally humorous sequel to Conan the Barbarian features the hero (Arnold Schwarzenegger) as he is commissioned by the evil queen Taramis (Sarah Douglas) to safely escort a teen princess (Olivia D'Abo) and her powerful bodyguard (Wilt Chamberlain) to a far away castle to retrieve the magic Horn of Dagon. Unknown to Conan, the queen plans to sacrifice the princess when she returns and inherit her kingdom after the bodyguard kills Conan. The queen's plans fail to take into consideration Conan's strength and cunning and the abilities of his sidekicks: the eccentric wizard Akiro (Mako), the wild woman Zula (Grace Jones), and the inept Malak (Tracey Walter). Together the hero and his allies must defeat both mortal and supernatural foes in this voyage to sword-and-sorcery land.

The most powerful legend of all is back in a new adventure.

Conan the Barbarian Collection

Genres: Action, Adventure, Fantasy

Starring: Arnold Schwarzenegger, Grace Jones, Wilt Chamberlain

Released: June 29, 1984

Runtime: 103.0

Popularity Rating: 10.151

De Laurentiis Entertainment Group (DEG), Universal Studios

United States of America

Conan Arnold Schwarzenegger
Zula Grace Jones
Bombaata Wilt Chamberlain
Malak Tracey Walter
Akiro 'The Wizard' Mako
Queen Taramis Sarah Douglas
Princess Jehnna Olivia d'Abo
Man Ape / Toth-Amon Pat Roach
Grand Vizier Jeff Corey
Togra Sven-Ole Thorsen
Dagoth Andre the Giant

Art — Art Direction: Jose Maria Alarcon
Art — Art Direction: Kevin Phipps
Art — Conceptual Design: William Stout
Art — Draughtsman: Giles Masters
Art — Painter: Sante Barelli
Art — Production Design: Pier Luigi Basile
Art — Production Illustrator: Tanya Lowe
Art — Sculptor: Andrew Holder
Art — Set Decoration Buyer: Moises Pineda
Art — Set Designer: Steve Cooper
Art — Set Dresser: Giorgio Desideri
Art — Standby Painter: Ron Downing
Camera — Camera Operator: Neil Binney
Camera — Director of Photography: Jack Cardiff
Camera — Key Grip: Apache
Camera — Still Photographer: George Whitear
Costume & Make-Up — Ager/Dyer: Mary Etta Lang
Costume & Make-Up — Costume Design: John Bloomfield
Costume & Make-Up — Key Hair Stylist: Mirella De Rossi
Costume & Make-Up — Makeup Artist: Luigi Rocchetti
Costume & Make-Up — Wardrobe Supervisor: Thomas Casterline
Crew — Driver: Arturo Curiel
Crew — Production Office Assistant: Craig Campobasso
Crew — Property Master: Graham Sumner
Crew — Special Effects: Antonio Balandin
Crew — Stunt Coordinator: Vic Armstrong
Crew — Stunts: Roman Ariznavarreta
Crew — Unit Publicist: Anne Strick
Directing — Director: Richard Fleischer
Directing — Script Supervisor: Pamela Carlton
Editing — Assistant Editor: Mark Eggenweiler
Editing — Editor: Frank J. Urioste
Editing — Negative Cutter: Donah Bassett
Lighting — Best Boy Electric: John Matthews
Lighting — Electrician: Roy Furness
Lighting — Gaffer: Frank Heeney
Production — Casting: Johanna Ray
Production — Casting Assistant: Nina Axelrod
Production — Executive Producer: Dino De Laurentiis
Production — Executive Producer: Stephen F. Kesten
Production — Location Manager: Juan Clemente Prosper
Production — Producer: Edward R. Pressman
Production — Producer: Raffaella De Laurentiis
Production — Production Supervisor: Anuar Badin
Production — Unit Production Manager: Stephen F. Kesten
Sound — Apprentice Sound Editor: Shelley Brown
Sound — Assistant Sound Editor: Jeff Jones
Sound — Conductor: Basil Poledouris
Sound — Musician: Angelo Giovagnoli
Sound — Orchestrator: Greig McRitchie
Sound — Original Music Composer: Basil Poledouris
Sound — Sound Editor: Ray Alba
Sound — Sound mixer: Manuel Topete
Sound — Sound Re-Recording Mixer: Wayne Artman
Sound — Supervising Music Editor: Daniel Allan Carlin
Sound — Supervising Sound Editor: Milton C. Burrow
Visual Effects — Creature Design: Carlo Rambaldi
Visual Effects — Special Effects Supervisor: John K. Stirber
Visual Effects — Visual Effects Coordinator: Charles L. Finance
Writing — Characters: Robert E. Howard
Writing — Screenplay: Stanley Mann
Writing — Story: Gerry Conway
Writing — Story: Roy Thomas
Writing — Storyboard: Maurice Zuberano